I thought I knew this guy…
The last second decision to pull “Brokeback Mountain” was a poor one, and no good reason for it has been offered up by Miller. Refusing to carry the film in the first place demonstrates closed-mindedness; agreeing to do so before then violating that agreement couples closed-mindedness with bad business sense. I had never before suspected Miller to be possessed of either.
As for the film, my wife and I had the privilege to see it on Friday night. The story is not unfamiliar: Two people are thrown together by circumstance and fall deeply and sincerely in love. They find (or already knew, in this case) that the world in which they live will not accept them and their feelings for one another, and they try their best to conform. But their love is undying, and they spend year after tortured year trying to express it while hiding it from those around them. Formulaic, really—only the two people are men, and not just men but cowboys, and real ones.
“Brokeback Mountain” is a well-made, high quality film. The sex scenes between the protagonists are far less explicit than in some PG-13 fare that I have been unfortunate enough to see. But, they are between men, and that fact did make me squirm. Nevertheless, the scenes are much more moving and sincere than most.
The story itself cuts through stereotypes about homosexuality and poses difficult questions through brilliant directing and Oscar-worthy acting. The men in the film are in love, despite their best efforts not to be. Their love causes them grief and despair, ultimately wreaking havoc on their lives. But such is love’s power, a power as strong between these two men as between any couple.
Now, if thinking about the way in which our society either stigmatizes or altogether refuses to deal with homosexuality makes you uncomfortable, perhaps you could spend your movie dollar on another of the fine films currently playing at Miller’s establishment. Jordan Commons is proudly carrying the number one film in the country, “Hostel”, which includes scenes of torture so graphic that many moviegoers have grown ill and left theaters, a fact that the moviemakers have heralded proudly. And if you are not in the mood for torture, you might try another high class Jordan Commons feature, “Grandma’s Boy,” a “comedy” in which elderly women and young men spend time doing drugs together in between scenes of “strong crude and sexual humor.”
Apparently, in Miller’s view, not only do these films deserve a screen at Jordan Commons more than “Brokeback Mountain” does, but pulling the film is justified despite the fact that doing so violates a business agreement made in good faith. I thought I knew this guy…

